Bliss the latest research and development inspired by Derek Jarman’s film, Blue
A new interdisciplinary work in development inspired by Derek Jarman
Photo of R&D 2025 by Jean Abreu
Jean Abreu’s latest research and development project explores Blue, the final artwork of Derek Jarman. Investigating the intersections of contemporary dance, queer identity, and visual arts, this work reflects on queerness and diaspora through a Black, immigrant lens.
Capturing Jarman’s radical and experimental spirit, the project aims to create a new physical dance language that challenges and reimagines identity and belonging.
This R&D is kindly supported by: Creative Folkestone, South East Dance, Devonshire Collective, Towner Gallery, Independent Dance, Siobhan Davies Studios, Basilisk Communications, Amanda Wilkinson Gallery, and Tate.
The project is supported using public funding by the National Lottery through Arts Council England. Ian Kaler is supported by The City of Vienna, Municipal Department of Cultural Affairs.
Photos by Jack Thomson
Photo of R&D 2025 at Tate Modern by Jack Thomson
Photo of R&D 2025 at Tate Modern by Jack Thomson
Photo of R&D 2025 at Tate Modern by Jack Thomson
Photo of R&D 2025 at Tate Modern by Jack Thomson
Artistic Director Jean Abreu
Concept & Choreography Jean Abreu Dance
Artists & Collaborators Rhys Dennis, Ian Kaler, Folu Odimayo
Music: various tracks edited by Jean Abreu
Art Director Bob Patmore
Sound Engineer Dominic Kennedy
Producer Michael Peter Johnson
Project Assistant Mateusz Piekarski
Filming David Kaplowitz
Photography Jack Thomson
About Derek Jarman
Derek Jarman
was an English artist, film maker, stage designer, writer, gardener, and gay rights activist, regarded as one of the most influential figures associated with the new queer cinema.[3] Trained originally as a painter, he moved into stage and production design in the late 1960s, including work on Ken Russell's controversial historical 1971 film The Devils, before turning to filmmaking as a director.
Jarman made his directorial debut with Sebastiane (1976), a Latin-language film depicting the martyrdom of Saint Sebastian through overt homoerotic imagery. He went on to direct a body of unconventional films including the punk-inflected Jubilee (1978), the stylised biographical drama Caravaggio (1986), and the politically charged adaptation Edward II (1991).