After Bliss the latest research and development inspired by Derek Jarman’s film, Blue
A new interdisciplinary work in development in dialogue with Derek Jarman artistic legacy and his final art/film work BLUE
Photo of R&D 2025 by Jean Abreu
After Bliss unfolds as a live spatial enquiry: a moving installation where body, sound, image and object coexist in a continuous state of becoming, tracing the afterimage of Blue, the final work by Derek Jarman. Combining choreography, live sound, sculptural elements, moving image and durational performance, the project invites audiences into an expanded field of perception where exhibition, screening and performance collapse into a shared encounter. Positioned as a continuation rather than a conclusion, After Bliss asks what remains after Blue: how queer histories survive, how memory is transmitted through bodies, and how collective presence can become a form of care, resistance and intimacy. Rooted in Jean Abreu’s perspective as a Black, queer, immigrant artist, the work brings contemporary diasporic experience into dialogue with Jarman’s radical legacy. Rather than adaptation, the project proposes an embodied response to Jarman’s experimental processes, developing a choreographic language shaped by vulnerability, endurance, slowness and transformation. The long-term vision is a travelling installation-performance/live art presented across galleries, festivals and interdisciplinary cultural spaces.
This R&D is kindly supported by: Creative Folkestone, South East Dance, Devonshire Collective, Towner Gallery, Independent Dance, Siobhan Davies Studios, Basilisk Communications, Amanda Wilkinson Gallery, and Tate.
The project is supported using public funding by the National Lottery through Arts Council England. Ian Kaler is supported by The City of Vienna, Municipal Department of Cultural Affairs.
Photos by Jack Thomson
Photo of R&D 2025 at Tate Modern by Jack Thomson
Photo of R&D 2025 at Tate Modern by Jack Thomson
Photo of R&D 2025 at Tate Modern by Jack Thomson
Photo of R&D 2025 at Tate Modern by Jack Thomson
Artistic Director Jean Abreu
Concept & Choreography Jean Abreu Dance
Artists & Collaborators Rhys Dennis, Ian Kaler, Folu Odimayo
Music: various tracks edited by Jean Abreu
Art Director Bob Patmore
Sound Engineer Dominic Kennedy
Producer Michael Peter Johnson
Project Assistant Mateusz Piekarski
Filming David Kaplowitz
Photography Jack Thomson
About Derek Jarman
Derek Jarman
Derek Jarman (1942–1994) was a British artist, filmmaker, stage designer, diarist, author, and gardener. He was educated at the King’s College London and at the Slade School of Art.
In 1967, Jarman exhibited his paintings in Young Contemporaries, Tate Gallery, London; Lisson Gallery, London; and Fifth Biennale des Jeunes Artistes, Musée d’Art Moderne, Paris. Jarman worked as a set designer on Ken Russell’s feature film The Devils (1971) among other productions. In the early 1970s. Jarman began an extensive series of filmworks made with Super 8 mm, followed by his first full-length feature film, Sebastiane, in 1975. He then went on to make ten feature films, including Jubilee (1978); The Last of England (1987); and The Garden (1990). His final film, Blue, was first shown at the Biennale Arte, Venice, in 1993. Solo exhibitions include, ICA, London (1984); Whitworth Art Gallery, Manchester (1993) Barbican Gallery, London (1996); Serpentine Gallery, London (2008); X Initiative, New York (2009); Julia Stoschek, Dusseldorf (2010). Amanda Wilkinson, London, (2014/2017/2019/2021); Trondheim Art Museum, Norway (2014), The Garden Museum, London, (2020); JHG, Southampton, UK (2021); David Zwirner, New York (2021); LE CRÉDAC, Paris, (2021); LUMA, Arles, (2022). He was shortlisted for the Turner Prize in 1986. Jarman wrote several books, including the autobiographical Dancing Ledge (1984) and two volumes of memoirs, Modern Nature (1991) and At Your Own Risk (1992). Derek Jarman’s Garden, which documents the creation of his extraordinary garden at Dungeness, Kent, England was published in 1995. A major retrospective of Jarman’s work titled PROTEST! was mounted IMMA, Dublin and the Manchester Art Gallery in 2021/2, describing him as “One of the most influential figures in twentieth-century British culture”. Forthcoming publications include a monograph in French and English published by JRP Editions.