Bliss the latest research and development inspired by Derek Jarman’s film, Blue

A new interdisciplinary work in development inspired by Derek Jarman

Photo of R&D 2025 by Jean Abreu

Jean Abreu’s latest research and development project explores Blue, the final artwork of Derek Jarman. Investigating the intersections of contemporary dance, queer identity, and visual arts, this work reflects on queerness and diaspora through a Black, immigrant lens.

Capturing Jarman’s radical and experimental spirit, the project aims to create a new physical dance language that challenges and reimagines identity and belonging.

This R&D is kindly supported by: Creative Folkestone, South East Dance, Devonshire Collective, Towner Gallery, Independent Dance, Siobhan Davies Studios, Basilisk Communications, Amanda Wilkinson Gallery, and Tate.

The project is supported using public funding by the National Lottery through Arts Council England. Ian Kaler is supported by The City of Vienna, Municipal Department of Cultural Affairs.

Photos by Jack Thomson

Photo of R&D 2025 at Tate Modern by Jack Thomson

Photo of R&D 2025 at Tate Modern by Jack Thomson

Photo of R&D 2025 at Tate Modern by Jack Thomson

Photo of R&D 2025 at Tate Modern by Jack Thomson

Artistic Director Jean Abreu

Concept & Choreography Jean Abreu Dance

Artists & Collaborators Rhys Dennis, Ian Kaler, Folu Odimayo

Music: various tracks edited by Jean Abreu

Art Director Bob Patmore

Sound Engineer Dominic Kennedy

Producer Michael Peter Johnson

Project Assistant Mateusz Piekarski

Filming David Kaplowitz

Photography Jack Thomson

About Derek Jarman

Derek Jarman

was an English artist, film maker, stage designer, writer, gardener, and gay rights activist, regarded as one of the most influential figures associated with the new queer cinema.[3] Trained originally as a painter, he moved into stage and production design in the late 1960s, including work on Ken Russell's controversial historical 1971 film The Devils, before turning to filmmaking as a director.

Jarman made his directorial debut with Sebastiane (1976), a Latin-language film depicting the martyrdom of Saint Sebastian through overt homoerotic imagery. He went on to direct a body of unconventional films including the punk-inflected Jubilee (1978), the stylised biographical drama Caravaggio (1986), and the politically charged adaptation Edward II (1991).